In late November 2013, I decided to learn how to crochet because it was cold and blustery and getting dark at 5 p.m., and I was getting bored in the evenings. One night I thought, enough is enough, and began brainstorming ways to amuse myself that wouldn’t annoy the neighbors or my living companions. You might say, well, read a damn book, but I spend most of my days reading on screen or in print, and there comes a point in the day when your eyes start to cross and your brain reaches maximum capacity, and you just need to do something with your hands. I also wanted to find an activity that I could do around other people, so as not to be anti-social, and something that entailed learning a new skill. Crochet it was.
By spring 2014 I had already switched to knitting because knitting patterns are more abundant and because knitting takes up 1/3 of the yarn that crochet does, and I do have a craft budget after all.
Now, after nearly three years of making things with yarn, mostly knitting, I’ve found myself with loads of little odds and ends from finished projects — balls of yarn too small to make much of anything, but too big to chuck into my gardening bag to use for tomato ties. I’ve been hanging on to it all with the idea of someday making a big, crazy blanket with it. Friends, that day has arrived! And I’m back to crochet for it.
My chosen pattern is the humble granny square, which is one of the few crochet patterns I like the looks of. And my grandmother made granny squares so I’m considering this an hommage to her. (I’m realizing now that I talk a lot about the grandmas on this blog. For future reference, Kay = mom’s mom, chemist and conspiracy theorist, and Roses = dad’s mom, superstar athlete and binge reader of Harlequin romances.) Grandma Kay was a granny square making machine. She made big blankets, lap blankets, baby blankets, drink coasters, and dozens of doorstops made out of bricks covered in stitched-together granny squares that are now a thing in our family, scattered throughout the homes of her children and grandchildren.
This project isn’t exactly going to be breaking new ground in design, but that’s not the point. I’m excited about it, because in addition to serving as an excuse to procrastinate on the stitching together of two nearly finished sweaters, this blanket is a refresher course for everything I forgot how to do in crochet (pretty much everything). With seven different stitches to learn/re-learn, it’s a complete package.
I picked a starburst design that looks like the one Grandma Kay always used, the tutorial for which can be found here. Warning: this video tutorial moves extremely quickly. If you’re new or just getting back to this like me, you’ll probably have to pause and go back several times while working through your first few squares. That said, it’s a great tutorial with easy-to-understand instructions and clear shots of the stitches.
Nevertheless, despite following Miss simplydaisy of YouTube’s excellent instructions, my first square turned out like this because that’s how learning works:
My fault, my stitches were messy and I was off on the counting right from the start; as a result, when I finished the circle portion and moved on to the square, nothing lined up and I wound up having to squeeze several stitches into the same loop in order for it to finish up in a square shape. In the end, wonky as it is, it’s a quadrilateral, so close enough for jazz as they say.
Square number two came out better, still has a few little mistakes, but it’s an improvement:
The blue yarn in both squares is left over from a tobacco pouch I made for my friend Lucas, and the red is from a Steve Zissou hat that I made for Alvaro last winter. I hadn’t meant for it to be a Zissou hat, that’s just how it turned out. Alvaro loved it so I pretended it was on purpose.
In addition to the crochet re-skilling and the grandma hommage, reminiscing over scraps is the third reason why I’m into this project — it’ll be a record of all the things I’ve knitted for myself and the people I love. Sort of like the college graduation quilt my mother made me, a kaleidoscope of triangles cut from my old Little League and summer job uniforms, Beatles t-shirts, high school graduation robe, the red velvet dress I wore in the role of Mrs. Claus in my first grade Christmas play Wake Up Santa!, the rainbow bed sheets I had in elementary school, the t-shirt I got at my first ever stadium concert (Diana Ross, I was ten years old, and she called me up solo to dance with her on stage, and the only dance move I knew was the Roger Rabbit so that’s what I busted out, and Ms. Ross, bless her, was just like well, okay! and started doing the Roger Rabbit right along with me)… I love this quilt because it’s a record of my childhood, and also a symbol of intense motherly love because my mother had been secretly stashing away all of the above with the idea of one day learning how to quilt so that she could make me a t-shirt quilt when I graduated from college. Pause on that for a moment, and digest it, and consider the foresight it demanded. I think Mom’s t-shirt quilt far surpasses my granny squares in nostalgic poignancy (I cried when she gave it to me), but I’m using it as a reference for this record of the hats and scarves and gloves and little bags and socks and sweaters that I’ve squinted at, sworn at, hunched over, sweated over, and finally finished and worn proudly or offered as a present to the special people in my life.